
NASHVILLE, TN – April 24, 2012
Jalan Crossland @ 17th Annual Key West Songwriters Festival
Wyoming based singer-songwriter Jalan Crossland is journeying to Key
West, having been invited to perform at the Better Angels Key West Songwriters
Festival presented by BMI. The 17th annual Songwriters Festival will
feature more than 100 top songwriters, staged at an array of the island’s
most popular drinking holes and hot spots, bookended by full-band concerts.
Informal adaptations of Nashville’s signature in-the-round acoustic
showcases dominate much of the schedule, while an event-capping street
concert adds an enticing Mardi Gras spirit to the mix. This year’s
festival spans five days and nights, from May 2 thru 6, with over 30
free shows on 25+ stages.
While this is Jalan’s first appearance at the Key West festival,
he’s no stranger to a BMI stage. In mid-April Crossland performed
on the BMI Songwriter Stage at the French Quarter Festival, his second
appearance at the New Orleans festival in as many years. He’s
slated for three perfomances at the Key West festival:
Thursday (May 3) with Suzi Ragsdale @ Old Town Manor
Friday (May 4) with Brent Burns, Bobby Weinstein, Roger Sovine, Phoenix
Mendoza, Patrice Pike, Todd Taylor and James Slater @ Smokin’
Tuna Saloon
Saturday (May 5) with Matt Ramsey, Dillon Dixon, Ben Donaher, Walker
Hayes and Jeff Black @ Ibis Bay Resort
Crossland, who resides in Ten Sleep WY (population 328) has released
six albums since 2000 and has developed a fiercely loyal following fueled
by his musicianship (he’s a former flat-picking champion) and
his talent as an entertainer. This year he’s playing all his concerts
as solo performances in support of his newest release, Portrait of a
Fish.
For more information contact Ted Wagner at 615-613-3292 or tedwagner@rocketmail.com.
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NASHVILLE, TN – March 30, 2012
Jalan Crossland Unveils “Portrait”
Jalan Crossland has released his sixth album, Portrait of a Fish, an
enjoyable and eclectic 12 song collection. In a way, the album reflects
a return to his early recording roots. Like Poorboy Shanty (his second
album) and Moonshiner (his third), Portrait of a Fish is rootsy and
honest, with greater emphasis on performance and less on production.
Those earlier outings were more sparsely produced than his more recent
full band offerings.
But Portrait of a Fish goes beyond that simple comparison. Yes, it’s
a “solo project” in the truest sense – just Jalan
and his guitar or banjo, performing each song in a simple no frills
setting – no overdubs, no studio “hocus pocus”, no
nonsense. More than that however, the album demonstrates his growth
as an artist. Tracking the album, one can sense his confidence as a
performer and maturity as a musician.
The album opens with the title cut, a light-hearted and clever tale
of a fish in search of a painter to render his (or her – with
fish how can you tell?) portrait. His banjo-loving fans will appreciate
the appearance of the banjo in three of the first five songs, as well
as being the featured instrument on the album’s lone instrumental,
“Colored Aristocracy”. His guitar prowess is first revealed
in “Joanne”, where he adeptly delivers a minute-and-a-half
guitar movement. Crossland leads the listener through this set of original
compositions, traditional songs, and the occasional cover tune. Not
surprisingly, Crossland commences the album on a crescendo with his
version of Gordon Lightfoot’s “Don Quixote” that features
another extended (three-minutes-plus) guitar movement.
Portrait of a Fish embodies the core sensibilities of Jalan Crossland
the artist. As a storyteller, musician and entertainer, Crossland delivers
on all counts. Long time fans and first time listeners alike will appreciate
the unforced grace of this album, which is perhaps his most spectacular
collection to date.
For more information contact Ted Wagner at 615-613-3292 or tedwagner@rocketmail.com
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